This step goes hand in hand in complimenting the use of anamorphic flares. PDF includes the correct method of setting up a classic widescreen 2.35:1 & 2.39:1 aspect ratio for your video or film (for HD + 4K timelines) to achieve the letterbox aesthetic. mov files on 2.35:1/2.39:1 aspect ratio timelines - The remaining horizontal image can be used for reframing the flares on HD timelines, whereas the 2.8K flares are scaled up to fit on 4K timelines. And even square overlays, for all you Instagram lovers. There are also overlays which will convert 16×9 to 4×9 and visa-versa. Capture your vision with industry-standard aspect ratios, or create and save your own. 1.85:1 Common US widescreen cinema standard. Capture clips that can easily be color graded to match different cinematic styles from various sources and genres, including 35mm film. Cinescope version 2.5 is a filmmakers best friend. Aspect Ratio of 2.66:1 (BRAW 2.8K windowed 2880 x 2160 - desqueezed 2x) Create a unique Hollywood feel to your productions that matches the look and color capabilities of much more expensive equipment and processes. 30 different classic + experimental vintage lens flares & streaks captured on a Sankor anamorphic scope, using 50mm & 105mm vintage primes and a variety of diopters. Various light streaks & flares were created and captured for you to overlay onto your footage. You can recreate the videos aspect ratio by applying the cinema overlay of 21:9 aspect. These flares were filmed in a controlled environment in 2.8K anamorphic mode and created with a Sankor (2x anamorphic) CinemaScope. Access the Effects tab in the features provided in the video editor. The IGC Vintage CinemaScope Flare Pack contains a series of high-quality anamorphic flares and streaks that can assist you with reproducing an anamorphic flare aesthetic visually in post production.
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